 Artist: Paco De Lucia: mp3 download Genre(s): Latin: Flamenco Latin Jazz Ethnic Folk: Spanish Paco De Lucia's discography:  Fuente Y Caudal Year: 2005 Tracks: 8  con Camaron Vol. 1 Year: 2005 Tracks: 12  Cositas Buenas Year: 2004 Tracks: 8  Por Descubrir Year: 2003 Tracks: 13  The Best Of Year: 2000 Tracks: 3  Luzia Year: 1998 Tracks: 8  Live In America Year: 1994 Tracks: 8  Dos Guitarras Flamencas En America Latina Year: 1994 Tracks: 12  Concierto De Aranjuez Year: 1993 Tracks: 6  Zyryab Year: 1992 Tracks: 8  Plays Manuel De Falla Year: 1992 Tracks: 10  Interpreta Manuel De Falla Year: 1992 Tracks: 10  El Duende Flamenco Year: 1992 Tracks: 10  Siroco Year: 1987 Tracks: 8  Solo Quiero Caminar Year: 1986 Tracks: 8  Entre Dos Aguas Year: 1986 Tracks: 14  One Summer Night Year: 1984 Tracks: 5  Live... One Summer Night Year: 1984 Tracks: 5  Castro Marin Year: 1981 Tracks: 7  En Vivo Desde El Teatro Real Year: 1975 Tracks: 8  Fuerte Y Caudal Year: 1973 Tracks: 8  Recital De Guitarra De Paco De Lucia Year: 1971 Tracks: 10  El Mundo Del Flamenco Year: 1971 Tracks: 10  Con Los 7 De Andalusia Year: 1971 Tracks: 12  Hispanoamerica Year: 1969 Tracks: 12  Fantasia Flamenca Year: 1969 Tracks: 10  12 Hits Para 2 Guitarras Flamencas Year: 1969 Tracks: 12  La Fabulosa Guitarra De Paco De Lucia Year: 1967 Tracks: 10  Fabulosa Guitarra De Paco De Lucia Year: 1967 Tracks: 10  Dos Guitarras Flamencas En Ame Year: 1967 Tracks: 12  Canciones Andaluzas Para 2 Guitarras Year: 1967 Tracks: 12  12 Canciones De Garcia Lorca Para Guitarra Year: 1965 Tracks: 12  Almoraima Year: Tracks: 8 The use of the flamenco guitar has evolved through the playing of Paco de Lucia (innate Francisco Sanchez Gomez). The logos of flamenco guitarist Antonio Sanchez and the brother of a flamenco guitarist, Ramon, and gypsy dancing isaac Bashevis Singer, Pepe, de Lucia has prolonged the late accompaniment-only custom of romany dancing guitar to admit profoundly personal melodic statements and modern instrumentality. His collaborations hurt included ten albums with former gypsy dancing vocalizer El Camaron de la Isla and ferment out with American piano player Chick Corea and the Guitar Trio, featuring guitarists John McLaughlin, Larry Coryell, and Al DiMeola. His recordings with his captain Hicks, which includes his brothers Ramon and Pepe, include such groundbreaking masterpieces as La Fabulosa Guitarra de Paco de Lucia, Fantasia Flamenca, Fuente y Caudal, Almoraima, and Zyryab. Yet, de Lucia has not whole forsaken traditional romany dancing. His 1980 album, Interpreta a Manuel de Falla, paying homage to the hellenic composer and flamenco enthusiast, spell his 1987 record album, Siroco, marked a return to virtuous gypsy dancing. "I experience never preoccupied the roots in my music," de Lucia aforesaid during a late-'90s interview, "because I would fall back myself. What I suffer tried to do is cause a helping hired hand keeping onto custom and the other scratching, digging in other places, trying to receive new things I bathroom get into flamenco." Natural in Algeciras, a small metropolis in southernmost Spain's Cadiz province, de Lucia was bred to be a world-class instrumentalist. He trained with his padre and chum from the long time of five. Mastering the artwork of flamenco guitar by his 11th birthday, he made his world public presentation debut on Radio Algeciras in 1958. A class later, he received a special award at the Festival Concurso International Flamenco de Jerez de la Frontera. Heralded as a child prodigy, de Lucia was invited to get together the flamenco company lED by professional dancer Jose Greco at the age of 16. He remained with the group for troika days. A turning point in de Lucia's musical growing came while on circuit with Greco's company in North America. Meeting Sabicas, the first gear flamenco guitarist to circuit the existence, he was instructed to pursue his possess style of playing. Although he remained trussed to traditional flamenco on his first 2 solo albums -- La Fabulosa Guitarra de Paco de Lucia in 1967 and Fantasia Flamenca in 1969 -- and recorded ten albums attendant gypsy dancing vocalist de la Isla, de Lucia continued to try a personal glide slope. |
Friday, 22 August 2008
Mp3 music: Paco De Lucia
Tuesday, 12 August 2008
Katy Perry 'I Kissed A Girl' Sells 70,000 In Australia
Hot on the heels of Katy Perry's debut album release last Saturday, comes both confirmation that her #1 reining single 'I Kissed A Girl' has gone platinum with sales of over 70,000 copies, along with rumours of a visit to Australia in October.
'I Kissed A Girl' was co-written by Perry and produced by Lukasz "Dr. Luke" Gottwald (Avril Lavigne, Kelly Clarkson). It was a #1 digital song chart hit in both the US and Canada and also topped the US iTunes Top Songs chart, was a #1 US iTunes Ringtone, and a number 2 US Music Video.
Katy's 'One Of The Boys' album debuted in the US at #9 on the Soundscan Top two hundred Chart and Perry marked her mid June American album outlet week by kicking off the 2008 Vans Warped Tour for the intact US summer.
�One Of The Boys' is a astute and witty pop-rock gem filled with candid tales of neurotic ex-boyfriends ('Hot N Cold', 'U R So Gay', 'Mannequin'), crazy road trips with friends ('Waking Up in Vegas'), and computation out wHO you are along the way (number one single 'I Kissed A Girl', 'Fingerprints'). While the album displays Perry's huffy, girl-power browbeat, it too reveals her more vulnerable side on such regretful ballads as 'Lost', 'I'm Still Breathing' and 'Thinking of You'.
"I think people can apprize a ballad maker who shows different sides, and this album has many different colours," Perry says. "I can compose my share of angry break-up songs but I wanted to balance it out with fun, summer songs. But there are also sad songs some loss and making the wrong decisions. It's been blood, lather, and weeping making this record. I've put everything into it and I feel like it's my baby. When people� heed to it, I hope they testament understand where I'm approach from as a person."
The album 'One Of The Boys' and the single 'I Kissed A Girl' are in stores now
More info
Wednesday, 6 August 2008
Jean Jacques Perrey and David Chazam
Artist: Jean Jacques Perrey and David Chazam
Genre(s):
Electronic
Discography:
Eclektronics
Year:
Tracks: 16
Pablo Gad
Darwin Chamber
Artist: Darwin Chamber
Genre(s):
Electronic
Techno
Discography:
The Ghetto Electro Chronicles
Year: 1998
Tracks: 11
Ghettoelectro Chronicles
Year: 1998
Tracks: 11
There is some mix-up around the name Darwin Chamber, many people ar shy whether it is a free radical or a solo originative person. The accuracy is that it all depends on the gig. Darwin Chamber is the change ego of Mark Greenfield. Sometimes Greenfield brings some other creative person into his act, sometimes he performs or produces on his have. Either way, he performs under his leg name (elysian by scientist Charles Darwin). A word of Marin County in Northern California, this producer has been active in the progressive electronic scene for more than ten dollar bill years. Just like the rest of the tube music scene's pioneers, he started learnedness his craft on a garish keyboard in a friend's house and bit by bit kept moving on to more expensive equipment and more than prestigious venues.
A professional heavy technologist and bona fide "node tweaker", Chamber has earned deference on a expert level as well as a creative one. Creatively, he is acknowledged as one of the earliest contributors to the breakbeat and trip-hop sub-genres.
Chamber low gear made a advert for himself in San Francisco, but gained plenitude of recognition on the national and world music scenes in the recent '90s, even earning a nod from MTV during his flush. He released music on diverse indie labels, such as Twitch and Basssex. However, he gained the to the highest degree recognition for his uncut dismissal on Moonshine Records in 1998. Moonshine is peradventure the largest and best-known electronic tag in the state. When Chamber released the record album, called Ghetto Electro Chronicles, he united the ranks of DJ Keoki, Dieselboy, and Goldie, all of whom are Moonshine artists.
About 40% Of MSM In New York City Do Not Disclose Sexual Orientation To Physicians, Survey Finds
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Thirty-nine percentage of hands who suffer sex with men surveyed in New York City during the past class had not disclosed their sexual orientation to their physicians, according to data from the city's Department of Health and Mental Hygiene that was promulgated in the Archives of Internal Medicine, the New York Times' "City Room" reports. According to health officials, the study's findings have implications for HIV prevention efforts because the survey constitute that MSM who disclosed their sexual behavior were twice as likely as MSM wHO did non to be tested for the virus.
The survey examined data from the National HIV Behavioral Survey conducted in 2004 and 2005 by CDC. The New York City constituent of the data convoluted 452 work force who were interviewed anonymously at gay bars and clubs, tried for HIV, and offered medical and social services if needed. According to the survey, 63% of MSM world Health Organization disclosed their sexual conduct to their physicians were tested for HIV, compared with 36% of MSM who did not. The survey too found that although 78% of MSM who identified themselves as homosexual aforesaid they had discussed their sexual orientation with their physicians, none of the MSM world Health Organization identified themselves as epicene had.
The survey too found racial and ethnic differences in disclosure rates, with 60% of black-market MSM saying they had not discussed their sex with their doctors. This compared with 48% of Hispanic MSM, 47% of Asian MSM and 19% of flannel MSM. In addition, around three-quarters of MSM world Health Organization identified themselves as bisexual were black and Hispanic. According to Monica Sweeney, assistant health commissioner for HIV prevention and restraint, the survey's findings reflect the stigma against MSM behavior in some minority populations. "There is a frequent phenomenon in the black community in which a man who is gay, by the formal ways that we all know to identify mortal as braw, identifies himself as epicene," Sweeney aforesaid (Chan, "City Room," New York Times, 7/23). Elizabeth Begier, the city's director of HIV epidemiology, aforementioned, "It's a combination of people beingness less comfortable with the term 'gay' or 'homosexual,' and discrimination they perceive they will feel if they are undetermined about their sexual experiences and attractions."
In addition, the survey establish that about half of men jr. than eld 28 had discussed their sexuality with their doctors, compared with 69% of older hands (Lite, New York Daily News, 7/24). MSM born in the U.S. were more potential than immigrants to hash out their sexual practices, and those with more education had higher disclosure rates than those with less education, according to the survey.
In reaction to the survey, health officials called on patients to be more forthcoming, as well as on physicians to inquire about sexual history. "Health care providers should screenland patients routinely for HIV," Begier aforesaid, adding, "They should also ask their patients around behavior that may put them at risk. And New Yorkers shouldn't waver to talk openly with their wellness care providers" ("City Room," New York Times, 7/24). Sweeney aforementioned that as a "group, doctors go wrong miserably" at asking patients about their sexual histories. "People were not reluctant to lecture once you brought it up," she said, adding, "They're reluctant to lead up, but in one case you convey up highly emotional issues, patients volition talk around it if you're non judgmental" (New York Daily News, 7/24). Gay Men's Health Crisis Executive Director Marjorie Hill said that although she is "distressed" by the survey's findings, she is not "at all surprised." She added, "Medical providers are not sufficiently trained in outreach and betrothal with queer, lesbian, bisexual and transgender people" ("City Room," New York Times, 7/23).
Reprinted with kind permission from http://www.kaisernetwork.org. You hindquarters view the entire Kaiser Daily Health Policy Report, search the archives, or sign up for e-mail delivery at http://www.kaisernetwork.
Thirty-nine percentage of hands who suffer sex with men surveyed in New York City during the past class had not disclosed their sexual orientation to their physicians, according to data from the city's Department of Health and Mental Hygiene that was promulgated in the Archives of Internal Medicine, the New York Times' "City Room" reports. According to health officials, the study's findings have implications for HIV prevention efforts because the survey constitute that MSM who disclosed their sexual behavior were twice as likely as MSM wHO did non to be tested for the virus.
The survey examined data from the National HIV Behavioral Survey conducted in 2004 and 2005 by CDC. The New York City constituent of the data convoluted 452 work force who were interviewed anonymously at gay bars and clubs, tried for HIV, and offered medical and social services if needed. According to the survey, 63% of MSM world Health Organization disclosed their sexual conduct to their physicians were tested for HIV, compared with 36% of MSM who did not. The survey too found that although 78% of MSM who identified themselves as homosexual aforesaid they had discussed their sexual orientation with their physicians, none of the MSM world Health Organization identified themselves as epicene had.
The survey too found racial and ethnic differences in disclosure rates, with 60% of black-market MSM saying they had not discussed their sex with their doctors. This compared with 48% of Hispanic MSM, 47% of Asian MSM and 19% of flannel MSM. In addition, around three-quarters of MSM world Health Organization identified themselves as bisexual were black and Hispanic. According to Monica Sweeney, assistant health commissioner for HIV prevention and restraint, the survey's findings reflect the stigma against MSM behavior in some minority populations. "There is a frequent phenomenon in the black community in which a man who is gay, by the formal ways that we all know to identify mortal as braw, identifies himself as epicene," Sweeney aforesaid (Chan, "City Room," New York Times, 7/23). Elizabeth Begier, the city's director of HIV epidemiology, aforementioned, "It's a combination of people beingness less comfortable with the term 'gay' or 'homosexual,' and discrimination they perceive they will feel if they are undetermined about their sexual experiences and attractions."
In addition, the survey establish that about half of men jr. than eld 28 had discussed their sexuality with their doctors, compared with 69% of older hands (Lite, New York Daily News, 7/24). MSM born in the U.S. were more potential than immigrants to hash out their sexual practices, and those with more education had higher disclosure rates than those with less education, according to the survey.
In reaction to the survey, health officials called on patients to be more forthcoming, as well as on physicians to inquire about sexual history. "Health care providers should screenland patients routinely for HIV," Begier aforesaid, adding, "They should also ask their patients around behavior that may put them at risk. And New Yorkers shouldn't waver to talk openly with their wellness care providers" ("City Room," New York Times, 7/24). Sweeney aforementioned that as a "group, doctors go wrong miserably" at asking patients about their sexual histories. "People were not reluctant to lecture once you brought it up," she said, adding, "They're reluctant to lead up, but in one case you convey up highly emotional issues, patients volition talk around it if you're non judgmental" (New York Daily News, 7/24). Gay Men's Health Crisis Executive Director Marjorie Hill said that although she is "distressed" by the survey's findings, she is not "at all surprised." She added, "Medical providers are not sufficiently trained in outreach and betrothal with queer, lesbian, bisexual and transgender people" ("City Room," New York Times, 7/23).
Reprinted with kind permission from http://www.kaisernetwork.org. You hindquarters view the entire Kaiser Daily Health Policy Report, search the archives, or sign up for e-mail delivery at http://www.kaisernetwork.
Wednesday, 9 July 2008
Rainbird
Artist: Rainbird
Genre(s):
Metal: Doom
Discography:
Poets' Blood
Year: 2006
Tracks: 8
Arctic Monkeys Frontman Alex Turner Working With Tony Christie
The Real Identities Of Elton John, Freddie Mercury And Axl Rose Exposed On Gigwise
You might know Axl Rose and Elton John by their stage names – but that's not what their mother's call them.
In our latest gallery we've compiled all the musicians that use an alias when they perform on stage – and just why they choose to do so.
From Freddie Mercury to Bon Jovi, this gallery really has got them all.
CLICK HERE to flick through our Musicians And Their Real Names gallery now.
Are there any performers we may have missed? What do you think of the true identities? Leave your thoughts by filling in the comment form at the bottom of the gallery.
Become a member of Gigwise now and your comment will appear automatically.
CLICK HERE to flick through our Musicians And Their Real Names gallery now.
See Also
Corrie's David set for more trouble
'Coronation Street' star Jack P Shepherd has said that his character is set to cause more trouble in Weatherfield in the coming weeks.
According to Digital Spy, the actor, who plays David Platt, said of his upcoming storyline: "There's something really big coming up at the beginning of April that the whole Street will be talking about - so watch out."
A show source reportedly said: "We've just filmed some amazing scenes with Jack which see him totally destroying the Street."
"It was great fun filming is and the devastation is bound to cause friction amongst Weatherfield's residents."
According to Digital Spy, the actor, who plays David Platt, said of his upcoming storyline: "There's something really big coming up at the beginning of April that the whole Street will be talking about - so watch out."
A show source reportedly said: "We've just filmed some amazing scenes with Jack which see him totally destroying the Street."
"It was great fun filming is and the devastation is bound to cause friction amongst Weatherfield's residents."
Julian Lennon
Artist: Julian Lennon
Genre(s):
Rock
Discography:
Photograph Smile
Year: 1998
Tracks: 14
Valotte Bonus
Year: 1984
Tracks: 3
Valotte
Year: 1984
Tracks: 10
The son of John Lennon and his first married woman Cynthia, Julian Lennon parlayed a remarkable vocal similarity to his father into a somewhat successful singing career during the 1980s. John Charles Julian Lennon was born on April 8, 1963 in Liverpool, and as a child elysian several Beatles compositions: "Lucy in the Sky with Diamonds" reportedly arose out of a drawing Julian made of a classmate, and following his parents' disassociate, he became the field of Paul McCartney's sympathetic "Hey Jude." Julian began playing guitar and drums at age ten, adding forte-piano as a stripling; he appeared as a drummer on the track "Ya Ya" on the John Lennon album Walls and Bridges. Following his father's assassination, Lennon decided to follow a singing vocation, although he apprehensive that his vocal and stylistic law of similarity to his fatherhood would prove detrimental. He ab initio sign-language a contract to book an unreleased song stolen from John Lennon's vaults, merely after intellection better of it, he enlisted Yoko Ono's help in purchasing out the reduce.
Lennon sign-language with Atlantic and recorded his debut album, Valotte, at a French château of the same name. The album produced four chart singles, including the Top Tens "Valotte" and "Besides Late for Goodbyes"; Lennon was nominative for a Grammy for Best New Artist. Success was attended by hedonic indulgence, and the follow-up, 1986's underwritten The Secret Value of Daydreaming, perchance suffered because of it. Lennon returned in 1989 with Mr. Jordan, an album that found him nerve-racking to fall apart away from his John Lennon influences with a darker style redolent of David Bowie. However, the single "Now You're in Heaven" proven only a minor pip. Following 1991's Help Yourself, Lennon temporarily retired from the music industry and worn out nearly seven-spot years in seclusion. In the leaping of 1998, he returned with Photograph Smile, an indie album initially issued alone in Europe and Japan merely disposed American tone ending the next class.
Lykke Li disses Sweden
Lykke Li took a pop at Sweden – and the Glastonbury crowd – during her set on the Park Stage today (June 28).
The star lashed out after bemoaning a lack of dancing in the crowd.
She said: "Glastonbury is like Sweden because nobody is dancing. Why aren't you dancing?"
Playing tracks from her debut album 'Youth Novels' – including 'Breaking It Up' and 'Let It Fall' – the indie-pop singer played a high-energy set in the strongest sunshine of the weekend.
Before 'Window Blues' she asked if the crowd were "sick of love songs".
"Enough of the love songs. This is a song about love, tainted love," she said.
Keep up with all the action from Glastonbury this weekend (June 27-29) as it happens on NME.COM. For news, pictures and blogs keep checking NME.COM's Glastonbury Festival page. Plus make sure you get next week's issue of NME on UK newsstands from July 2 for the ultimate Glastonbury review.
The star lashed out after bemoaning a lack of dancing in the crowd.
She said: "Glastonbury is like Sweden because nobody is dancing. Why aren't you dancing?"
Playing tracks from her debut album 'Youth Novels' – including 'Breaking It Up' and 'Let It Fall' – the indie-pop singer played a high-energy set in the strongest sunshine of the weekend.
Before 'Window Blues' she asked if the crowd were "sick of love songs".
"Enough of the love songs. This is a song about love, tainted love," she said.
Keep up with all the action from Glastonbury this weekend (June 27-29) as it happens on NME.COM. For news, pictures and blogs keep checking NME.COM's Glastonbury Festival page. Plus make sure you get next week's issue of NME on UK newsstands from July 2 for the ultimate Glastonbury review.
Unholy Rites Of The Dead
Artist: Unholy Rites Of The Dead
Genre(s):
Metal: Death,Black
Discography:
The History Of The Banishment Of The Z
Year:
Tracks: 4
Zee U
Free PR should mean free play
Radio gives publicity to the music industry, study shows
MINNEAPOLIS -- The broadcast industry's top lobbyist believes that radio provides so much free publicity to the music industry -- $2.4 billion a year, according to a new study -- that it shouldn't have to pay to play records.
NAB president and CEO David Rehr delivered a keynote at the Conclave Learning Conference here Friday -- one day after the contentious Performance Rights Act sailed through a House subcommittee. He cited the new study by an economic research expert as the latest round in radio's gunfight with the music industry over proposed legislation that would require terrestrial broadcasters to pay royalties to labels and recording artists when they air their music. Rehr said the $2.4 billion figure doesn't include the value of ticket giveaways and other on-air promotions.
Expected to reach the larger and more influential Judiciary Committee for consideration in the coming weeks, HR 4789 has become NAB public enemy No. 1, and Rehr used his first Conclave appearance to rally radio against it, encouraging broadcasters to enlist their local representatives in Congress to oppose the legislation introduced by Rep. Howard Berman, D-Calif., in December. The bill "isn't going anywhere anytime soon," Rehr told the packed ballroom.
"We're going to be fighting this for the next four, five, six years," he said, predicting that it would cost broadcasters $7 billion in fees. "They're trying to extract money from other industries because they haven't addressed their own business challenges."
Rehr also said the radio industry "made a mistake" in not more aggressively fighting new, dramatically higher Internet streaming royalties set by the Copyright Royalty Board.
In a well-received 50-minute speech that was half reality check, half pep rally, Rehr said never before has radio faced so many regulatory issues and so much competition. He spent less time condemning the proposed XM-Sirius satellite radio merger -- which FCC chairman Kevin Martin has agreed to back -- but still vowed to fight it. And he fired a few shots at the FCC's proposed rulemaking on localism, which would require broadcasters to have at least one person on-site at a station 24 hours a day, establish permanent community advisory boards and allow public panels to establish quantitative standards for programming. Such requirements "could actually undermine our efforts to serve local communities," Rehr said. "To have the federal government tell local broadcasters what they need to do every day to serve their communities is offensive and absurd."
Rehr called on broadcasters to remind people "why they fell in love with radio in the first place and reignite their passion." Calling radio "a great equalizer and unifier," Rehr said stations in the coming weeks would receive a set of talking points detailing "what we need to tell people about radio," as well as commercials to remind listeners why they fell in love with radio.
Part of the Radio 2020 PR campaign introduced in the fall, the spots and messaging are intended to get stations to evangelize radio to listeners, advertisers and other media.
Rehr conceded that radio "may have gotten a little stale over the past few years" and suggested the medium is so pervasive that people take it for granted.
"People want new, unique content and niche channels, and radio must respond," he said, offering HD radio side channels as part of the solution.
While the NAB, the HD Digital Radio Alliance and HD radio technology provider iBiquity have made progress targeting auto dealers and automakers to install HD radios, Rehr said: "We still have a lot more work to do. We need a lot more receivers. Manufacturers are starting to see that it's to their benefit that radio is everywhere there is a speaker or headphones."
Rehr, the former president of the National Beer Wholesalers Assn. who replaced Eddie Fritts at the powerful broadcast lobbyist in December 2005, was greeted with applause when he said: "I hope you'll join me in being tired of all the critics of radio. Some of you have given your life to radio. It galls me that we allow people to draw us down. Two hundred thirty-five million people listen to us week in and week out. This is a great business."
MINNEAPOLIS -- The broadcast industry's top lobbyist believes that radio provides so much free publicity to the music industry -- $2.4 billion a year, according to a new study -- that it shouldn't have to pay to play records.
NAB president and CEO David Rehr delivered a keynote at the Conclave Learning Conference here Friday -- one day after the contentious Performance Rights Act sailed through a House subcommittee. He cited the new study by an economic research expert as the latest round in radio's gunfight with the music industry over proposed legislation that would require terrestrial broadcasters to pay royalties to labels and recording artists when they air their music. Rehr said the $2.4 billion figure doesn't include the value of ticket giveaways and other on-air promotions.
Expected to reach the larger and more influential Judiciary Committee for consideration in the coming weeks, HR 4789 has become NAB public enemy No. 1, and Rehr used his first Conclave appearance to rally radio against it, encouraging broadcasters to enlist their local representatives in Congress to oppose the legislation introduced by Rep. Howard Berman, D-Calif., in December. The bill "isn't going anywhere anytime soon," Rehr told the packed ballroom.
"We're going to be fighting this for the next four, five, six years," he said, predicting that it would cost broadcasters $7 billion in fees. "They're trying to extract money from other industries because they haven't addressed their own business challenges."
Rehr also said the radio industry "made a mistake" in not more aggressively fighting new, dramatically higher Internet streaming royalties set by the Copyright Royalty Board.
In a well-received 50-minute speech that was half reality check, half pep rally, Rehr said never before has radio faced so many regulatory issues and so much competition. He spent less time condemning the proposed XM-Sirius satellite radio merger -- which FCC chairman Kevin Martin has agreed to back -- but still vowed to fight it. And he fired a few shots at the FCC's proposed rulemaking on localism, which would require broadcasters to have at least one person on-site at a station 24 hours a day, establish permanent community advisory boards and allow public panels to establish quantitative standards for programming. Such requirements "could actually undermine our efforts to serve local communities," Rehr said. "To have the federal government tell local broadcasters what they need to do every day to serve their communities is offensive and absurd."
Rehr called on broadcasters to remind people "why they fell in love with radio in the first place and reignite their passion." Calling radio "a great equalizer and unifier," Rehr said stations in the coming weeks would receive a set of talking points detailing "what we need to tell people about radio," as well as commercials to remind listeners why they fell in love with radio.
Part of the Radio 2020 PR campaign introduced in the fall, the spots and messaging are intended to get stations to evangelize radio to listeners, advertisers and other media.
Rehr conceded that radio "may have gotten a little stale over the past few years" and suggested the medium is so pervasive that people take it for granted.
"People want new, unique content and niche channels, and radio must respond," he said, offering HD radio side channels as part of the solution.
While the NAB, the HD Digital Radio Alliance and HD radio technology provider iBiquity have made progress targeting auto dealers and automakers to install HD radios, Rehr said: "We still have a lot more work to do. We need a lot more receivers. Manufacturers are starting to see that it's to their benefit that radio is everywhere there is a speaker or headphones."
Rehr, the former president of the National Beer Wholesalers Assn. who replaced Eddie Fritts at the powerful broadcast lobbyist in December 2005, was greeted with applause when he said: "I hope you'll join me in being tired of all the critics of radio. Some of you have given your life to radio. It galls me that we allow people to draw us down. Two hundred thirty-five million people listen to us week in and week out. This is a great business."
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